Then on to a re-visit with Christian Tetzlaff playing the Sibelius violin concerto. Tetzlaff comes from Hamburg, and plays here with a Danish orchestra conducted by Thomas Dausgaard. To sum up with one word: idiomatic. I currently have 51 recordings of this concerto, but Tetzlaff and the Danes place it firmly in Scandinavian Northern Europe (a remarkable area, despite its food and climate). Listening to the recording -- admirably balanced -- you feel yourself transported to the north; too many performers try to pretend the music is wannabe Tchaikovsky or Rachmaninov, which it is not. And I greatly admire Tetzlaff's violin; Tetzlaff ditched his Strad in favour of a modern German violin, and the latter sounds just wonderful. Makes you think about the snobbery / financial ramifications surrounding 300 year old Italian violins -- not all of which are remotely better than the best modern ones.
Saturday, 2 March 2013
Tom Yum, and Christian Tetzlaff
Then on to a re-visit with Christian Tetzlaff playing the Sibelius violin concerto. Tetzlaff comes from Hamburg, and plays here with a Danish orchestra conducted by Thomas Dausgaard. To sum up with one word: idiomatic. I currently have 51 recordings of this concerto, but Tetzlaff and the Danes place it firmly in Scandinavian Northern Europe (a remarkable area, despite its food and climate). Listening to the recording -- admirably balanced -- you feel yourself transported to the north; too many performers try to pretend the music is wannabe Tchaikovsky or Rachmaninov, which it is not. And I greatly admire Tetzlaff's violin; Tetzlaff ditched his Strad in favour of a modern German violin, and the latter sounds just wonderful. Makes you think about the snobbery / financial ramifications surrounding 300 year old Italian violins -- not all of which are remotely better than the best modern ones.
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