For that kind of music, one needs a performer of talent and individuality. Turning afterwards to late Beethoven piano sonatas, I again marvelled at the playing of Igor Levit; when Levit plays, you forget about Levit and his piano and immerse yourself in the late sonatas of Beethoven. Just as when Kempff, Pires or Andsnes play late Schubert, or Adolf Busch and friends play Bach, Schubert or Beethoven, or Philippe Herrewhege conducts Bach … it's the music that occupies centre stage, and the performers involved become almost transparent media.
Thursday, 13 March 2014
Discreet Interpreters
For that kind of music, one needs a performer of talent and individuality. Turning afterwards to late Beethoven piano sonatas, I again marvelled at the playing of Igor Levit; when Levit plays, you forget about Levit and his piano and immerse yourself in the late sonatas of Beethoven. Just as when Kempff, Pires or Andsnes play late Schubert, or Adolf Busch and friends play Bach, Schubert or Beethoven, or Philippe Herrewhege conducts Bach … it's the music that occupies centre stage, and the performers involved become almost transparent media.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment