Kogan left many recordings, most of them – sadly – no longer available, and all too few of them in good sound. It was brave and praiseworthy of a new transfer label, Amare, to re-issue Kogan's 1959 recording of the Beethoven violin concerto, with the Paris Conservatoire orchestra conducted by Constantin Silvestri. Even though I had this recording already (EMI) I bought it to evaluate the transfer. The sound on the Amare CD is better than the EMI, especially – and most importantly – as regards the sound of Kogan's violin. I liked this performance very much indeed; it is somewhat leisurely, but Kogan impresses mightily throughout. The Paris orchestra with Silvestri is something of a “B” team in Beethoven; a long way from Furtwängler and the Berlin Philharmonic. The CD is exceptional because of Kogan, and this is a Beethoven violin concerto recording I shall be replaying mainly to rejoice in the playing of the violin part.
Kogan was highly impressive in the concerto works of Paganini, Khachaturian, Lalo, Tchaikovsky, Brahms and Beethoven. His Paganini first concerto, and Tchaikovsky violin concerto, are in the top half dozen or so performances of all recorded time. Let us hope that Amare, or others, will be bringing back the best of Kogan. I have amassed a very large collection of Kogan recordings over the years, but welcome anyone who can improve the often highly imperfect original sounds that date from the 1940s, 50s and 60s (in the main, though Kogan was recording right up until 1981).
2 comments:
Thank you for your kind remarks about this CD (I run Amare Classics having previously managed the Magdalen label and also manage Kernow Classics). Would you give your permission for me to quote this review?
Best wishes
James Murray
I am happy to give you permission to quote from my text.
Harry Collier
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