I bought a new
recording of Beethoven's Op 130 string quartet in B flat major mainly
because the recording re-instates the Grosse Fuge as the
quartet's finale, rather than the routine finale Beethoven was
persuaded to substitute by publisher and players. After the profound
opening adagio-allegro, Beethoven follows with three intermediate
movements, then the sublime cavatina (adagio molto espressivo)
and then: we need the Grosse Fuge!
I had never heard of
the Elias String Quartet prior to buying this CD. The
performance of Op 130 strikes me as exemplary, and I'll return to it
often. Is the danza tedesca taken too quickly? But it's marked
allegro assai, so maybe not, even though no one could dance at
the speed taken here. Anyway, for me a good performance of Op 130
integrating the unjustly abandoned Grosse Fuge is highly
welcome. The recording (Wigmore Hall Live) is excellent and well
balanced.