Two CDs I keep close to
hand both feature lesser known violinists in lesser known works. On
one, the Korean violinist Soo-Hyun Park plays the first
Wieniawski violin concerto, the Conus concerto, and Vieuxtemps'
Fantasia Appassionata. On the second, Canadian violinist Corey
Cerovsek plays Vieuxtemps' fifth concerto, Wieniawski's second,
and Wieniawski's Faust Fantasia.
Hardly exotic and
unknown repertoire – I have 23 versions of the Wieniawski Fantasia,
and 17 of Vieuxtemps' fifth concerto, for example – but rare to
have them assembled on two convenient CDs (Claves and Onyx), well
played and well recorded. Mainline companies and mainstream
violinists stick either to endless recordings of the twelve evergreen
classics, or to scrapings of “new music” concertos, once played,
forever forgotten. My two CDs of Wieniawski et al are well worn, and
kept where I can pick them out easily whenever I feel like it – which is surprisingly often.
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