Arthur Grumiaux
was not the most charismatic of the great violinists of the last
century; but he was certainly one of the most musical. Back in
distant 1974, if you had wished to make a great recording of
Beethoven's violin concerto, the assembly of the Concertgebouw
Orchestra with Colin Davis conducting, Arthur Grumiaux playing the
solo part, and the Philips team recording, would have been all you
needed. With Grumiaux, you put away the Beckmesser slate; technically
and musically he does not put a foot wrong, his tempi are completely
uncontroversial, his choice of cadenzas (Kreisler's) avoids all Lang
Lang type attention drawing. In all lists of “the best” or “the
top” recommendations, Grumiaux is more often than not forgotten in
preference to more high profile violinists. But for pretty well all
the violin repertoire, Grumiaux should always be in the top three
choices; you always get the music, the whole music, and nothing but
the music. No histrionics, no attention seeking. I really enjoyed his
1974 performance of the Beethoven concerto this afternoon, and
marvelled at the truly excellent original recording and later CD
transfers by Philips. Three stars all round.
Saturday, 6 February 2016
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