A critic recently
opined that the recording of Beethoven's Eroica symphony made in late
December 1944 in Vienna with Wilhelm Furtwängler conducting
the Vienna Philharmonic was the greatest of all Eroica recordings.
Late December 1944 with the Red Army rolling inexorably towards
Vienna must have concentrated the minds, with Götterdämmerung
just round the corner. I have just been re-listening to it in a new
transfer (by Pristine Audio) and I have to say that, for once,
a critic may be right. Otto Klemperer and Wilhelm Furtwängler
were the two great conductors of this symphony; Furtwängler here
even outshines Otto, with the funeral march sounding positively
contemporary in its savagery and originality.
The CD also has a
coruscating performance (Berlin 1943) of Furtwängler conducting
Beethoven's Coriolan overture. Those doubtful of old sound can
rest assured. Pristine Audio, taking a holiday from fooling
around with second-rate American radio broadcasts and recordings, has
produced a miraculous sound that could well date from the 1960s.
This, surely, is what audio restoration is all about. Stars to
everyone concerned. And commiserations to the able and talented
conductors of today; what on earth are you to do faced with a 72 year
old performances like this one? So three stars to Ludwig van
Beethoven, and three stars to Wilhelm Furtwängler and the Berlin
Philharmonic (Coriolan) and Vienna Philharmonic (Eroica). Three stars
to Andrew Rose of Pristine Audio for the transfers, and three stars
to the German recording engineers of 1943 and 1944; if the battle of
that time had been between Russian, Allied and German recording
engineers (and orchestras), the Germans would have won hands down.
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