Let's face it; when it
comes to the orchestral contribution to Sergei Rachmaninov's piano
concertos, the orchestra has a minor role. Not quite as minor as
accompanying a violinist in Paganini's violin concertos. But nearly.
So all praise to the Czech Philharmonic Orchestra conducted by
Paavo Järvi who really make the most of it when playing the
orchestral part for Rachmaninov's second and third piano concertos
with Khatia Buniatishvili. Ms Buniatishvili receives the lion's share
of publicity (and musical glamour), and quite rightly so. But
listening again, I also greatly admired the Czech Philharmonic. Rare
an orchestra receives praise for accompanying a major soloist in a
virtuoso concerto; when playing with violinists such a Jascha Heifetz
or Michael Rabin, the orchestra – as well as being relegated to the
background by the recording engineers – also had the indignity of
seeing whole swathes of the orchestral music cut as being of little
interest. Who wants to listen to the backing group (in popular music
parlance)? Which is yet another reason why I treasure Wilhelm
Furtwängler “accompanying” artists such as Edwin Fischer, Yehudi
Menuhin, Wolfgang Schneiderhan, or Erich Röhn in concertos. And the
Czech Philharmonic does well partnering Ms Batiashvili.
Monday, 3 April 2017
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