A great deal of music
has been written for sponsors, or employers, or has been
commissioned. For practically the whole of J.S. Bach's life, he wrote
music for his employers, be it church or court. Most of Haydn's music
was written when he was a liveried servant of an aristocratic
employer. Handel was an exception in the 18th century, and
Mozart had no patron (though a good proportion of his music was
commissioned). Even by Mozart's high standards, the six string
quartets he dedicated to Joseph Haydn are among his very best works.
One has a real sense of Mozart taking extra care to give of his best
in these works he dedicated to Haydn. The level of invention
is high and constant, so no matter how often one listens to these
quartets, there is always something new. One never tires of
listening.
This time round I heard
them played by the Hagen Quartett, in recordings from the late 1990s.
Well played and well balanced, with Mozart's favoured viola parts
(that he himself probably played when the quartets were first
performed for Haydn) coming over well. Mozart really put the viola
back into play, after decades when it was mainly just a filling-in
instrument. However, I certainly still prefer to listen to these works as recorded by the Quartetto Italiano. Music does not get much greater than Wolfgang Amadeus in
top form, in a music format (the string quartet) that is among the
very highest for the higher levels of music making.
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