Pierre Rode (1774-1830) was a
violin virtuoso, a pupil of Viotti, and a contemporary of Beethoven,
Paganini and Heinrich Ernst. He gave the premier of Beethoven's
Kreutzer sonata. He wrote music almost exclusively for the violin,
including 13 violin concertos, most of which have been recorded by
the violinists' friend, Naxos, with Friedemann Eichhorn as
soloist. His music is tuneful and well written for the violin, as one
would expect. The virtuoso aspect of Rode's violin music is mainly
centred upon the bow arm, with every variety of bow stroke being
called upon. Unlike Paganini or Ernst, the left hand is not obliged
to indulge in violinistic circus tricks, with double stopping being
rare, and harmonics even rarer.
A generous friend gave me the latest
Rode-Eichhorn instalment, a CD of the 11th and 12th
violin concertos, with two sets of variations for violin and
orchestra. This is carefree music to which one just sits back and
enjoys life. Eichhorn has become something of a specialist in this
music and he plays with aplomb and a scintillating right arm; Rode
would have nodded in approval. The Naxos recording is excellent. One
is left wondering why we do not hear these concertos more often,
rather than the 8-9 “standard” works that are always trotted out
year after year. And when were concertos by Rode, Viotti, Vieuxtemps,
Hubay et al. last recorded by companies such as DG, Decca or Warner?
Thank heavens for Naxos.
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