Lured by a cheap price, and nostalgia
for many of the recordings I listened to in my teens, I bought a box
of four CDs of Lieder by Schumann, recorded by various artists during
the 1940s and 50s. At last, I recovered Gérard Souzay in the
Dichterliebe, a 1953 recording that I once owned on a
second-hand LP in the 1950s. And Fischer-Dieskau – never my
favourite singer – with the Opus 39 Liederkreis (1954) that
I used to play on an old 10 inch LP.
The set also includes Irmgard Seefried
in the Frauenliebe und Leben cycle (1957), a work I am not
fond of because of its – to me – mawkish and outdated view of a
woman's life.
“Lieder und Zyklen” is translated
into sort-of English as “Art Songs and Cycles”. I am not
sure what has happened to the English language, but Schumann wrote
“Lieder” (which are songs, in English). Gustav Mahler's
“Das Lied von der Erde” is usually rendered into English as “The
Song of the Earth” (not the “Art Song of the Earth”).
Perhaps the addition of “art” to “song” is so not to confuse
teenage Americans, who seem to call everything a “song”; even
Wagner's Tristan and Isolde, or Bach's Mass in B minor. Anyway, for
teenage Americans: these are songs (Lieder, in German) sung in
German. No translations are included, so either you understand 19th
German perfectly, or you rest blissfully ignorant as to what is being
sung. I am not dogmatic about understanding what is being sung
(particularly when it comes to 18th century music), but
19th century German Lieder, and French mélodies,
are slightly different kettles of fish and we need to know
what the songs are about. I know the Dichterliebe and the two
Liederkreis, plus Frauenliebe und Leben well enough not
to need a libretto, and I also know many of the Goethe Mignon
settings well enough. But the other 30 or so ….
Those selling recordings of German
Lieder, or French mélodies (or even “art songs”) should make it
very plain if no libretto is included. Otherwise, for pretty well
everyone, it's a bit like buying a car without an engine. Other
singers include Peter Anders and Emmi Leisner, mainly from the 1940s.
What they are singing about, I have no clue. Not a good buy (a German company called Membran Music). Fine transfers, however.
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