Thursday 14 March 2019

Alina Ibragimova and Cédric Tiberghien


In a world positively awash with superb violinists, I have always had a special affection for the playing of Alina Ibragimova. She is a highly versatile and sophisticated player, with an impeccable technique and a remarkable range of dynamics, from whispering pianissimos to passionate fortissimos. From her violin (Anselmo Bellosio c1775) she draws sounds appropriate to whatever music she is playing. I have only heard her once in person, when she played unaccompanied Bach all alone on the stage in Bath; a memorable experience.

A new CD from her with her excellent long-term musical partner, Cédric Tiberghien is devoted to four items from the late Romantic Franco-Belgian repertoire, the earliest being the sonata by César Franck (1886) and the latest a Nocturne by Lili Boulanger (1911). The poème élégiaque by Eugène Ysaÿe and a 1905 sonata by Louis Vierne complete the programme. I am the proud owner of no less than 58 different recordings of the Franck sonata; though I cannot claim to recall all 57 of the other recordings, this one has to be among the select few at the top of the rostrum. The performance by Ibragimova is a long way from her Moscow roots. In terms of sophistication, her playing reminded me on occasions of Jascha Heifetz; this sonata was one of his favourites, though Heifetz in duo sonatas always suffered from his preference for accompanists rather than partners. I suspect Ysaÿe to whom the sonata was dedicated, and who gave its first performance, would have cheered and voted for Ibragimova and Tiberghien.

The sonata by Louis Vierne is not without its interesting moments, but it does suffer from the familiar late Romantic bloat during its 33 minutes. However, I suspect it will wait several decades before receiving another recording at least the equal of this one from Ibragimova and Tiberghien.

The engineering and balance in this Hyperion recording are excellent, especially since Ibragimova's pianissimos must have posed something of a problem for the balance engineering. Altogether, a CD to enhance the current reputation of the Ibragimova-Tiberghien duo.


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