In a world positively awash with superb
violinists, I have always had a special affection for the playing of
Alina Ibragimova. She is a highly versatile and sophisticated
player, with an impeccable technique and a remarkable range of
dynamics, from whispering pianissimos to passionate fortissimos. From
her violin (Anselmo Bellosio c1775) she draws sounds appropriate to
whatever music she is playing. I have only heard her once in person,
when she played unaccompanied Bach all alone on the stage in Bath; a
memorable experience.
A new CD from her with her excellent
long-term musical partner, Cédric Tiberghien is devoted to
four items from the late Romantic Franco-Belgian repertoire, the
earliest being the sonata by César Franck (1886) and the latest a
Nocturne by Lili Boulanger (1911). The poème élégiaque by
Eugène Ysaÿe and a 1905 sonata by Louis Vierne complete the
programme. I am the proud owner of no less than 58 different
recordings of the Franck sonata; though I cannot claim to recall all
57 of the other recordings, this one has to be among the select few
at the top of the rostrum. The performance by Ibragimova is a long
way from her Moscow roots. In terms of sophistication, her playing
reminded me on occasions of Jascha Heifetz; this sonata was one of
his favourites, though Heifetz in duo sonatas always suffered from
his preference for accompanists rather than partners. I suspect Ysaÿe
to whom the sonata was dedicated, and who gave its first performance,
would have cheered and voted for Ibragimova and Tiberghien.
The sonata by Louis Vierne is not
without its interesting moments, but it does suffer from the familiar
late Romantic bloat during its 33 minutes. However, I suspect it will
wait several decades before receiving another recording at least the
equal of this one from Ibragimova and Tiberghien.
The engineering and balance in this
Hyperion recording are excellent, especially since Ibragimova's
pianissimos must have posed something of a problem for the balance
engineering. Altogether, a CD to enhance the current reputation of
the Ibragimova-Tiberghien duo.
No comments:
Post a Comment