Concert programmes by violinists and
pianists have become pretty stereotyped, with the same old two dozen
or so sonatas being paraded, particularly Beethoven's “Spring”
sonata, the Ravel sonata, the César Franck, the Brahms sonatas ....
and a small score of other warhorses. Less frequently heard are the
admirable violin and piano sonatas by George Enescu, Guillaume Lekeu,
Leos Janacek; and the third sonata of Nikolai Medtner who was born
in Moscow in 1880 and died in London in 1951. I first met Medtner's
genial sonata in a 1996 recording by Vadim Repin, and I went on to
collect four other performances of the work. This time round I
re-sampled it played by David Oistrakh, with Alexander Goldenweiser
playing the piano part.
I have never been too enthusiastic
about Oistrakh as a violinist. He had a fantastic technique, but his
warm, rich, Russian sound always sounded somewhat foreign to me in
the German and, particularly, French repertoire. However, his sound
and approach take to Russian music like a duck to water and I greatly
enjoyed his playing of the Medtner. The two-CD set is completed with
Oistrakh and Goldenweiser tackling sonatas and a couple of short
pieces by another Russian, Georgy Catoire who was born in Moscow in
1861 and died there in 1926 and, again, Oistrakh sounds quite at home
in the melancholy sonorities of Catoire's music. My CD set also
includes an excellent performance of Catoire's trio in F minor,
recorded in 1949 by Goldenweiser with Kogan and Rostropovich, another
thoroughly Russian occasion and another opportunity to sample Kogan
and Rostropovich playing together.
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