I love Preludes & Fugues.
Very few composers wrote them, the most famous of all being Johann
Sebastian as part of his Das wohltemperierte Klavier. I have
been listening to 24 preludes & fugues written by another
composer: Dmitri Shostakovich. They
were inspired by Tatiana Nikolayeva, who also recorded them. Few
pianists do, and I cannot understand why since they are fascinating
works in their own right, and highly memorable. I listened to them
this week in a recording by Alexander Melnikov,
and this is really first-rate. Melnikov romanticises the works, and
Rachmaninov often springs to mind. Quite why I love preludes &
fugues I do not understand: maybe a psychologist could shed some
light. Meanwhile: back to the 24 and the 48!
Wednesday, 6 May 2020
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