Thursday 16 April 2009

Sad how, when it comes to sonatas for violin & piano (of which there are so many) record companies and concert promoters insist on the same hackneyed handful: Beethoven Spring and Kreutzer, Brahms 1, 2 or 3, Franck, Debussy, Ravel. For the really daring, there is Schumann or Fauré. A shame, just having listened to the 43 minutes of Nikolai Medtner's third sonata for violin & piano; a magnificent work that, despite its length, does not outstay its welcome for its four movements.

This evening's performance, by Boris Berezovsky and Vadim Repin, is well-nigh perfect. Both are first class instrumentalists and musicians. They play the sonata as a true duo, with 100% commitment and acute intelligence. It also strikes me how important recording balance and perspective are in such works; very often, the violin -- or the piano -- are too close. Often they are balanced unnaturally. In the Berezovsky-Repin recording, the perspective is natural, and the balance admirable. All praise to Erato for recording and issuing the CD (briefly) before the company was swallowed into the Philistine maw of Warner Music, and Repin, Berezovsky and Medtner were never heard of again in that company.

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