The recording (2005) does not help by balancing the pianist up with the violinist. We really do not pay good money to listen to an accompanist, however good he or she may be. Too often here we see Ms Steinbacher in the background, with the piano thumping away in the foreground. In duo sonatas, of course, violin and piano should be equal (and in many pre-1800 duo sonatas, the piano often had a primary role). But these 19 pieces are not duo sonatas, and the piano should be balanced further back so we can hear Ms Steinbacher more easily. I'll continue to like Arabella Steinbacher in the Shostakovich violin concertos. But, like pretty well all modern violinists, she is not a violinist for a recital of vignettes.
Wednesday, 27 June 2012
Arabella Steinbacher recital
The recording (2005) does not help by balancing the pianist up with the violinist. We really do not pay good money to listen to an accompanist, however good he or she may be. Too often here we see Ms Steinbacher in the background, with the piano thumping away in the foreground. In duo sonatas, of course, violin and piano should be equal (and in many pre-1800 duo sonatas, the piano often had a primary role). But these 19 pieces are not duo sonatas, and the piano should be balanced further back so we can hear Ms Steinbacher more easily. I'll continue to like Arabella Steinbacher in the Shostakovich violin concertos. But, like pretty well all modern violinists, she is not a violinist for a recital of vignettes.
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