Igor, Boris, Yevgeny ..
why are there no pianists called Harry, Eric, or Fred? But I suppose
some are also called Yuja or Xiayin. An inferiority feeling listening
to Boris Giltburg playing Shostakovich (accompanied by Vasily .. not
Harry, Eric, or Fred, Petrenko). It appears that, for more than a
century, if you wish to be taken seriously as a pianist or a
violinist, you have to get yourself a Russian name. And especially a
Russian background and heritage.
Moscow-born Boris
Giltburg dominates a new (Naxos) CD of Shostakovich's music. With
the Liverpool Philharmonic under Vasily Petrenko, he plays
Shostakovich's two piano concertos and the results are splendid. A
really interesting aspect of the new CD, however, is Giltburg's own
arrangements for piano only of Shostakovich's eighth string quartet
(and of the waltz movement from the second). Piano arrangements of
the self-sufficient world of the string quartet are something of an
oddity. I love the Shostakovich string quartets; and I also loved
listening to Giltburg's playing. The arrangements are best regarded
as new Shostakovich works, rather than renditions of the string
quartets, but none the worse for that. The piano concertos are
lighter fare in Shostakovich's oeuvre; the string quartets more
complex, and this comes over on this CD, even with the solo piano
arrangements. The concertos feature Shostakovich the famous artist, and the popular entertainer. The string quartets show us Shostakovich the private, and often haunted, person. Bravo Mr Giltburg for highlighting the two sides of the composer on this very welcome CD.
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